Her Dulcie Schwartz series launched in 2009 with Shades of Grey and continues with Grey Matters, Grey Zone, Grey Expectations, True Grey, Grey Dawn, Grey Howl, Stages of Grey, Code Grey, and Into the Grey (Severn House).
The Pru Marlowe pet noir series started with Dogs Don’t Lie and continues with Cats Can’t Shoot, Parrots Prove Deadly, Panthers Play for Keeps, Kittens Can Kill, When Bunnies Go Bad and Fear on Four Paws (Poisoned Pen Press).
Clea’s nonfiction books are Mad House: Growing Up in the Shadow of Mentally Ill Siblings (Doubleday, 1997), Fatherless Women: How We Change After We Lose Our Dads (Wiley, 2001), and The Feline Mystique: On the Mysterious Connection Between Women and Cats (St. Martin’s Press, 2002).
Her essays are included in several anthologies, including Cat Women: Female Writers on Their Feline Friends, For Keeps: Women Tell the Truth About Their Bodies, Growing Older, and Acceptance, and He Said What? Women Write About Moments When Everything Changed (Seal Press). Her short mysteries are included in Down to the River (Down & Out Books), Christmas Cats: A Literary Companion (Chamberlain Bros.), Deadfall: Crime Stories by New England Authors (Level Best), Cambridge Voices (Friends of the CPL), and Tales from the House Band, Volumes 1 and 2 (Plus One Press). She has also written new introductions for two Agatha Christie classics, The Mysterious Affair at Styles and The Secret Adversary, published by the Barnes and Noble Library of Essential Reading.
A regular contributor to the Boston Globe, her writing pops up occasionally in such publications as American Prospect, Ms., San Francisco Chronicle, and Salon.com. (See a range of her criticism, opinion articles, and journalism here.)